1999–2001
Italy, France, Egypt
Countless km
In lost in space, giada moves nimbly in external settings in search of a place , time and light but above all, of that obscure emotion to be captured and rendered universal. She is an actress, not a protagonist, in landscapes in which nature or architecture have long stories to tell, and she portrays herself living her face anonymous with a specific renunciation of her own individuality. The shots partly retain the quality of a snap shot, rapid and dynamic, but they also reveal elements of a staged photograph.
Prose and poetry, action and thought, intersected in the Lost in Space photographs. In these the artist, using a strictly female vocabulary, skillfully fuses performance and photography but without any theatricality. They seem to evoke, rather, a cathartic ritual in which a woman rediscovers herself by confronting the world.
1999–2001
Italy, France, Egypt
Countless km
In lost in space, giada moves nimbly in external settings in search of a place , time and light but above all, of that obscure emotion to be captured and rendered universal. She is an actress, not a protagonist, in landscapes in which nature or architecture have long stories to tell, and she portrays herself living her face anonymous with a specific renunciation of her own individuality. The shots partly retain the quality of a snap shot, rapid and dynamic, but they also reveal elements of a staged photograph.
Prose and poetry, action and thought, intersected in the Lost in Space photographs. In these the artist, using a strictly female vocabulary, skillfully fuses performance and photography but without any theatricality. They seem to evoke, rather, a cathartic ritual in which a woman rediscovers herself by confronting the world.